Film
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Love Note for Toni Cade Bambara
Zeinabu irene Davis: I still feel you with me when I am watching films in the dark. I will always remember how I would watch...
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The Avenging Woman Onscreen: Man’s Best Friend?
By Lara C. Stache As most graduates of introductory film class learn, film is not only a source of entertainment but also reflects the society...
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COLLEGE FEMINISMS: Slamming the Door: An Analysis of Elsa (Frozen)
By Shira Feder The Disney Princess franchise presents misogynist and terrifying fairy tales for profit. These stories enforce patriarchal views towards women that instate an...
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COLLEGE FEMINISMS: Step One: Show Skin, Step Two: Praise Talent: A Look at Scarlett Johansson and the Film Industry
By Megan Felder I’ve always loved movies. A lot. Romantic comedy, sci-fi, superhero action – you name it, I will watch it. Perhaps that’s why...
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Tales from the Kraka Tower
By Aphrodite Kocięda and Kyle Romano Tales from the Kraka Tower is a grassroots web-series that satirizes “diversity” in academia. What makes our series different from others...
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Feminists We Love: Katarzyna Marciniak
If feminist rage is something feared and often mocked (in order to belittle its power), then feminist immigrant rage is definitely a hard-core offense. We...
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I’m Not Judi Dench. So Why the Hell Would I Forgive?
By Aine Greaney Once, on an expatriate trip back to my native Ireland, I took my mug of tea to the big kitchen window of...
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Rethinking Dear White People: One Viewer Questions its Depiction of Microagressions for Today’s Youth
By Monique John While only recently picked up by Lionsgate Films, Dear White People has had the Internet buzzing for over a year. The indie...
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Op-Ed: What We Lose When We Focus Our Discussion on Jared Leto Rather than Rayon: Queer Politics and the Forgotten Heroes of the AIDS Crisis
By Mairead Sullivan While Rayon’s death in the Dallas Buyers Club was not the stereotypical death of a tragic transgender character, it was a tragic...
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Spike Jonze’s Her: Loneliness, Race, & Digital Polyamory
By Edgar Rivera Colón Spike Jonze’s Her is a cinematic tour de force, but it’s also a multi-layered cultural document of the present. Her, starring...
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The Reception of Audre Lorde – The Berlin Years 1984 to 1992 – Voices From Around The World
By Dagmar Schultz With this contribution I want to relate a few of the many voices that illuminated Audre Lorde’s impact after viewing the film“Audre Lorde...
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Katniss and Anastasia: Mismatched Heroines in a Shared Hell
By Lucy Berrington Why does America’s confused cultural gaze keep landing on two such mismatched literary heroines as Katniss Everdeen and Anastasia Steele? One is...
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Degeneracy Now! Suspended Between the Violence of Time and the Timelessness of Violence
Several uneventful Friday evenings ago, I stayed in with my best friend to watch In Time, starring Justin Timberlake and Amanda Seyfried. The film, written,...
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All In a Day’s Work, or An Incomplete (Chronic)le of Illness
By Alli Yates Writing about my chronic illness is a tricky undertaking. Sitting, thinking, and expressing myself will almost certainly render my body more aching,...
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COLLEGE FEMINISMS: Blonde Success: Fact or Myth?
By Ravon Ruffin and James “JP” Miller Do gentlemen really prefer blondes or has a history of fetishization of “the blonde” by media made it more...
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Finding Her Mother’s Gardens: A Review of Pratibha Parmar’s “Alice Walker: Beauty in Truth”
Black women have tended to incredible, secluded gardens within the expansive wasteland of this dysfunctional democracy.–Joy James, from “Resting in the Gardens, Battling in the...
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LGBTQ Film Feature: “U People” Fifth Anniversary Interview with Hanifah Walidah
Nominated for a GLAAD Media Award for Outstanding Documentary in 2010, U People is a music video, a documentary LGBT film, and a...
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Fruitvale Station: Some Reactions
OMAR RICKS I feel helpless after watching Fruitvale Station (2013, dir. Ryan Coogler). I feel like this hits too close to home. Literally. The nursery...
