Of particular critical interest to us are social and political phenomena that block, negate, or limit the satisfaction of goods or ends that humans, especially the most vulnerable, minimally require for living free of structural violence.
–from The Feminist Wire Mission Statement
Over the past few days, many artists and writers have reflected on some of the ways that violence permeates modern civil and political society—how it operates and what effects it has on people. We have seen beautiful poetry, haunting short stories, and insightful essays. The reflections have focused on violence by various definitions and at various scales—from that of the individual psyche, to the interpersonal, to broadly structural forms of violence—like gendered violence and the violence against Black people, Native peoples, and other People of Color that structures US civil and political society.
We invite you to look through these pieces and take up the questions raised.
The Precarity of Latino/a Child-Citizen Subjects: From Dora the Explorer to Child Deportees
October 8, 2012
by Nicole Guidotti-Hernández
“Black Spaghetti;” or, “Spaghetti al Nero di Seppia”
October 8, 2012
by John Murillo
October 9, 2012
by Darnell L. Moore and Isaiah M. Wooden
Editor’s Commentary: On Violence
October 9, 2012
by Omar Ricks
October 9, 2012
by Omar Ricks
Phantasmagoria; or, The World is a Haunted Plantation
October 10, 2012
by Selamawit D. Terrefe
Siempre En Mi Mente: On Trans* Violence
October 10, 2012
by Francisco J. Galarte
October 11, 2012
by Tria Andrews
Louder Than the Dark: Toward an Acoustics of Suffering
October 11, 2012
by Nicholas Brady
October 12, 2012
by Natalie Diaz
October 12, 2012
by Royce K. Freeman
October 12, 2012
by Laura Ilardo
Riding Past the Limits of Coalition Politics
October 13, 2012
by Juliana “Jewels” Smith
Coming-of-Age in Sal Si Puedes
October 13, 2012
by Rosebud Ben-Oni
October 13, 2012
by Xoaquima Díaz
October 14, 2012
by Royce K. Freeman
October 14, 2012
by Connie Wun
October 14, 2012
by Tria Andrews and Olivia Chilcote
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