Narcissus
Leeched of
grace I rise
with ashes in my
mouth from
yes
pretty
thing sweet
fresh out of
sight put out
of mind your
manners-love
some body
might hear
a child offering
coffee and cakes to
a priest as
you slept
He emptied
pockets of coins and
guilt at the
table I come
clean
He laid
hands on
me as you
said no
thing
Demarcation
White lines striate my hips and thighs
scars left post puberty
post-partum
post-
peri-menopause goddammit
the
lines
just move my body grows
a child, two borders are drawn
redrawn (I am not)
endlessly elastic
Furrows in the mirror
awake if not altogether (the perfect)
present
years of carving lines and circles
(in) my face just busywork
geometry
is plain
Streaks down my wrist
vertical like what works I hear
cant confirm or deny
It was nothing (fireflies)
An act of valor my body fell upon the glass
that would have held them
Broken lines are infinitely
aspirational
(some of my best friends are)
on the move across territories
endless wide-eyed jet-fueled nights
of almost there
Splatter
Yellow sauce splatter, a bet on gravity and solid matter
no sole agent of this or any beauty
Michelangelo knew the limits of genius, Eve more David
s nonno or bachelor zio at Coney Island, sunning their red breasts
Nobodys perfect. Or everybody is.
Pollack, another mess, dripping bottle caps and ashes in impasto
pulling at green disparities til we look wholly
Between blue bodies is space more minute than the
nothing holding each of our 37 trillion cells together
We could pass a hand or any weapon right through us
Irene Cooper lives, writes, and cooks in a dry part of the Pacific Northwest. She holds an MFA in poetry from Oregon State University-Cascades. She is a fierce advocate for self-directed education, public school, arts curricula, college funding reform, accessible health care, any available toilet, and the popular vote, among other things. She believes that language is imperfect, and so, miraculous.
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