Straight Outta Rape Culture – The Feminist Wire

Straight Outta Rape Culture


When N.W.A.’s mega-hyped biopic Straight Outta Compton opens this Friday, the brutalized bodies of black women will be lost in the predictable stampede of media accolades.  While early reviews have lauded the “prescience” of the group’s fierce critique of anti-black state violence and criminalization—epitomized by its de facto theme song “F– Tha Police”—they fail to highlight how the group’s multi-million dollar empire was built on black women’s backs.

Yet, as national outrage over state violence grows, the release of the film should prompt fresh reconsideration of how institutionalized sexual and intimate partner violence against black women continues to be all but invisible in mainstream discourse about black self-determination.  As gangsta rap pioneers and beneficiaries of the corporatization of rap/hip hop in the 1990s, N.W.A. played a key role in yoking rape culture and rap misogyny. Throughout their career they’ve been hailed as street poets and raw truth tellers mining the psychic space of young urban black masculinity. In song after song, gang rape, statutory rape, the coercion of women into prostitution and the terroristic murder of prostitutes are chronicled, glorified and paid homage to as just part of the spoils of “ghetto” life.  The 1988 song “Straight Outta Compton” trivializes the murder of a neighborhood girl (“So what about the bitch that got shot, fuck her, you think I give a damn about a bitch, I’m not a sucker”) while its outlaw male protagonists go on an AK-47 and testosterone fueled killing spree. “Straight Outta Compton” was an early salvo for such popular fare as “To Kill a Hooker,” “Findum, Fuckum & Flee” and the rape epic “One Less Bitch” in which N.W.A. co-founder Dr. Dre lets his boys gang rape a prostitute then notes, “the bitch tried to ‘gank’ me so I had to kill her”.

In a recent L.A. Times profile on the group, writer Lorraine Ali extols Dr. Dre’s role as a businessman and entrepreneur while conspicuously omitting his history of vicious misogyny and violence against black women. Sidestepping the importance of misogynoir to the group’s body of work, Ali argues that “it’s the film’s depiction of police brutality, and the tense dynamic between law enforcement and the urban neighborhoods they patrol, that makes it so topical”. Ali’s near reverent profile of the group is yet another example of white America’s double standards when it comes to the brutalization of white women versus that of black women.

Dee Barnes and Rose Hutchinson

Dee Barnes and Rose Hutchinson

In 1991 Dre brutally beat and trashed Dee Barnes, the young African American host of the forerunning rap show Pump It Up, at a record release party in Hollywood.  Allegedly spurred by negative comments made about the group on the show,  Barnes’ beating was co-signed by N.W.A. members Eazy E and MC Ren. Pump It Up was one of the first grassroots showcases to capture the hip hop juggernaut in its infancy. Barnes, a talented rap artist in her own right, was in a group called Body and Soul with my cousin Rose Hutchinson, another pioneering female rapper.  The assault by Dre all but ended her rap career,  underscoring black women’s perilous status in the rap/hip hop world as well as the obscene rates of intimate partner violence in the African American community overall (it is worth noting that Barnes was not the only black woman to suffer a brutal attack at Dre’s hands. Dre’s ex-girlfriend, rapper Michel’le, alleged that she needed plastic surgery after she was beaten by him).

Every year thousands of black women are shot, stabbed, stalked, brutalized and sexually assaulted in crimes that never make it on the national radar.  Black women experience intimate partner violence at a rate of 35% higher than do white women  According to the Department of Justice nearly 40% of young black women have experienced sexual assault by the age of 18.  Further, in Los Angeles County black girls have the highest rates of domestic sex trafficking victimization and are more likely to be locked up for prostitution than non-black women.

And although intimate partner violence is a leading cause of death for black women, they are seldom viewed as proper victims and are rarely cast as innocents. Far too often, intimate partner violence (such as that committed by former NFL player Ray Rice against wife Janae Rice) and/or sexual assault against black women are only propelled to national attention by a perfect storm of graphic videotape and feminist of color outrage. Yet black female survivors suffer on the margins in a culture that still essentially deems them “unrapeable”.

As an educator and mentor I work daily with young black girls who silently cope with the trauma and PTSD of sexual and physical violence in the very same South Los Angeles communities “immortalized” in N.W.A.’s hyper-masculinist terroristically sexist oeuvre.  Inundated with multi-platinum misogynist hip hop and rap, these girls have grown up with the pervasive message that violence against black women and girls is normal, natural, and justifiable. Coming full circle, the “Straight Outta Compton” narrative sacrifices their bodies on the altar of black masculine triumph and American dream-style redemption, signifying that the only occupying violence black America should really be concerned about is that perpetrated by the police.



  1. Ariel

    August 13, 2015 at 12:02 pm

    America doesn’t really have “double standards” when it comes to violence against women of different colors–we are all fair game. The attitudinal change regarding the mistreatment of women has to come from the community. In the European-evolved community, it has been vastly decried as unacceptable since the dawn of modern feminism. The rampant disregard of violence against women from other communities can only be obliterated by constant voices within those communities reprising that it is not acceptable. This needs to be targeted at all institutions that perpetuate any message to the contrary, including the church as well as entertainment media.

    • whitney

      August 13, 2015 at 8:54 pm

      It’s true that all women are fair game Ariel, but in the news, media, and all over society women of color, particularly black women, are portrayed as far more disposable – if portrayed at all. Watch any gory movie, and the people of color ALWAYS die, usually first. You’ll see it on tv, in the news, all over culture. There’s an entire field of research within sociological studies about the oppression and violence against black women in particular in the US. I promise. It’s real. I’m not sure if I’d call it a “double standard” as you did because that’s a bit too binary for how race really works, but suffice to say that oppression comes in many forms. Be careful with the conclusions you jump to about race and other manifestations of oppression. Once you put something hurtful out into the ether, you can’t take it back.

  2. Cheryl Townsend Gilkes

    August 15, 2015 at 11:48 pm

    Thank you for this!

  3. Bernice Farretta

    August 19, 2015 at 5:27 am

    My daughter & I are both victims of brutal, sexual rape, esp. my daughter. We have sought help & support in many places (but not lately) with no success. We are white. Is there any help for us? I am on FB, but please message only. Thank you for your work & above commentary. You speak truth. We still suffer many years later. In Sisterhood, Bernice

  4. Bernice Farretta

    August 19, 2015 at 5:30 am

    I couldn’t bear to watch this movie.

  5. Carol Snow

    August 26, 2015 at 8:42 am

    I am appreciative of more and more women addressing issues with regards to the violence and rape of women. I am proud of all the women who have come forward about their rape by the likes of Cosby. In my life experience, it has been women who have been the carriers of this protectiveness of males who are volatile towards women. Asking the accusatory questions of “What were you wearing? Why were you drinking? Where were you? What did you say? etc.”
    An example of this happened to me on June 14, 2015. I had an experience where a man threatened me and I was blamed for having caused it.
    Within this culture of rape, I think that it is imperative that sisters educate each other and hold one another accountable. I would not watch this movie as a person who was courageous enough to escape an abusive marriage and relationships, I cannot bear it. As a professional who has counseled and provided services for countless of abused children, I am not one of the African Americans who have been so conditioned by societal norms that teaches us to coward the declarations of Black Lives Matter. I sincerely understand the movement and believe it necessary, however, I have often said that as a community, we cannot step over the cow patties pointing fingers at those who harm us outside the culture without addressing the maltreatment of Black women and children. Audre Lorde said that “There is no thing as a single-issue struggle because we do not live single-issue lives.”