Slipping Under
Like a ghost, I prepare
a bath behind a door
that hasn’t locked
long as I remember.
When my mother or grandmother
knocks at the open door,
I obscure what they call
my “new breasts” under the soap water
and focus on the tiles
unbleached for weeks—
Bleach is bad
on a young woman’s health—
until someone saves me:
I wish we could take a picture
of your hair fanned
out like that in the water.
Fall Harvest
Ears of corn
without butter or salt
brittle as birds
pull their skirts.
They have heard enough.
They say, Reader, eat
this page. Eat here
around the pumpkins
dimpled like a boy
so punk rock as
to drum them on a strange
suburban street.
Feast already. Turn
these spoils into sugar.
The Mason’s Daughter
I don’t have nothing ………….to hide
……………………………..but that …………..I know
My sense of privacy ……………………………….an unthing
…………………………….in the mouth of prick
Come ……..no closer……….. just you ………….ignore
the battery humming at my neck
Don’t look them back
……………………………and they can’t know
I take their words
……………………….deeper than South
or fetid liberal
……………………..beyond woman and brain
into the escape …………………………that grounds me
………………………a rust in the soil
deeper inside ……………………………………..than mercy could
……………………know ……..or ………..govern
Holly Mitchell is a queer poet living in Manhattan. In 2012, Holly was awarded a Gertrude Claytor
Prize from the Academy of American Poets. Her/their work can be found in several places including
Ishaan Review, Split Quarterly, Lavender Review, and The Bakery.
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