Submissions

Submit to The Feminist Wire

***TFW on winter break for the month of December***
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We absolutely love that you love us and would like to submit. However, we are tired and in need of some R&R. Please note: TFW is an invisible labor of feminist love. We do this work because we love it and because we deeply care about the issues. As mentioned previously, ”We want to fill your inboxes and computer screens with feminist, anti-racist, anti-imperialist critiques.” However, this isn’t paid work and it’s mostly done by a very small group of people. On any given day we are up until the wee hours of the morning copyediting, emailing, reading, posting etc. With this in mind, we are going on hiatus for the month of December. This is our time to regroup. You can send your work into Submittable, but we won’t be reading it until January. We love you and we’ll see you in the new year!! 

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Thank you for your interest in writing for The Feminist Wire. We are a peer reviewed online feminist publication.  We welcome essays, interviews, op-eds, stories, poetry, plays, and visual art that explicitly deploy a feminist lens, and we define feminism very broadly. We are also committed to anti-racist and anti-imperialist approaches. However, topics and genres may vary. Writers should reference other articles on the site to familiarize themselves with content and style. If your submission intrigues us, we will contact you before copyediting and publishing.

Please note that we do not accept simultaneous submissions of essays, op-eds, interviews, or reviews. We reserve exclusive right of review; if your work is under review elsewhere, then please do not submit your work to us.

The Feminist Wire welcomes only the highest quality original, unpublished essays on politics and society, popular culture, law, religion, health and bodies, sexuality, human rights, activism, education, sports, fashion, transnational and global issues, and many other topics. We also welcome poetry and short fiction; see “literary submission guidelines” below. Our word limit for essays and reviews is about 1,500, but we have published longer pieces where warranted.

Also, we do not publish previously published works (this includes works previously posted to personal blogs, Facebook pages, Tumblr, or any other venue), with the exception of poetry, short stories, and other art forms, especially those that may have appeared in small-run print versions. Please let us know immediately if you need to withdraw your submission while it is under our review (or simply withdraw it using Submittable). We often move very quickly and may have already begun copyediting and posting your piece before you hear from us. We are entirely volunteer-run, and our time and labor are precious.

Because we do not accept simultaneous submissions, we are also deeply committed to providing a response within three weeks. And our responses are quite detailed; we can promise thorough and generous peer review and copyediting of your work if accepted.

The Feminist Wire is an Open Access publication that allows others to share the work with an acknowledgement of the work’s authorship and initial publication in this news site. Authors retain copyright and grant the news site right of first publication.  Specifically, if you should publish your article elsewhere after publishing with us, the article must provide visible credit or a link to The Feminist Wire.

We use Submittable, an online submission system, for processing submissions to TFW. If you do not already have a Submittable account, you will be asked to create one before submitting your work. Please note that the Submittable account is free, as is submission to The Feminist Wire. When you submit your work to us via Submittable, please make every effort to ensure you submit through the appropriate category.

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Literary Submission Guidelines:

The Feminist Wire is proud to publish outstanding works by both established and emerging writers. We accept poetry, fiction, memoir, visual art, and drama submissions year-round. We do accept simultaneous submissions in this category only, but we expect to be notified immediately if your work is accepted elsewhere.

Fiction writers and memoirists should submit 1500-2000 words of prose. Playwrights should submit one short scene of no more than four minutes (usually four pages in standard play format). Poets should submit at least three poems of any length. Visual artists should submit images of work along with an artist’s statement.

When submitting your work, please be sure to include the following:

  • A header within your document that includes your name, email address, and the title(s) of your submission(s).
  • Your full name (or pen name) on each page.
  • Page numbers for works over one page.
  • A title for each separate submission (for example, if you are submitting poetry, each of your three poems should have a separate title).
  • A short (one-paragraph) bio that includes any previous publications, workshop experience, or other information about your writing life. This should be included within your document.
  • Also, as an attachment, please send a photo of yourself that you’d like us to use if your work is accepted, and links or jpeg files of any images you think might complement your work if published on the site.

Please note that we do accept reprints of literary submissions. If your submission has been published elsewhere, please include full publication information within your document. Also, because we often select literary works to be published together in themed groups, the response time for literary submissions may exceed three weeks.

The best way to get a sense of the kinds of creative work we publish is to take a look at our culture section before you submit. We invite you to read and enjoy!

Submit to The Feminist Wire

ISSN 2326-7348

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Arts & Culture

  • Remembering and Honoring Toni Cade Bambara Sanchez

    Sonia Sanchez: What are we pretending not to know today? The premise as you said, my sister, being that colored people on planet earth really know everything there is to know. And if one is not coming to grips with the knowledge, it must mean that one is either scared or pretending to be stupid.

  • Hunger Kwame Laughing Foto

    They say you had the eye; they say you saw
    into people. They say you came before as shaman
    or bruja and returned as priestess; they say you were
    stonebreaker. But for me, you were a big sister
    feeling for a lonely brother with no language
    to lament, and you gave me more days, and
    more days. Yes, they could have called you
    Grace, Bambara; they could have called you that.

  • Stroller (A Screenplay) Black families and community

    Roxana Walker-Canton: Natalie sits in her own seat in front of her mother and looks out the window. Mostly WHITE PEOPLE get on and off the bus now. The bus rides through a neighborhood of single family homes. A BLACK WOMAN with TWO WHITE CHILDREN get on the bus. Natalie stares at the children.

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